Review of Grammar Lessons by Michele Morano
My review of Grammar Lessons by Michele Morano is alive and well on KGB Lit. Please go and view it!
« February 2007 | Main | April 2007 »
My review of Grammar Lessons by Michele Morano is alive and well on KGB Lit. Please go and view it!
Here are the two cut paragraphs from my Pop Matters column "Warcrack: The Second Coming." My editor thought the published version has a stronger more warcraft focused ending. For me, this ending circles back a bit more to my addiction and accurately depicts my current attitude towards the crack. Please cast your two cents.
Cheerios,
E
....
For me, there will always be keeping up with the elves, humans, dwarves, which I no longer have the energy for. There will always be more dungeons I don't have time to explore, epic gear I can't have because I no longer play Warcraft incessantly. I've discovered that just because you've invested madly thus far doesn't mean you can't tiptoe back to balance. There's some moderation that can be injected into my sometimes black and white world.
'Once an addict, Always an addict' is only somewhat true. I'm an addict with perspective. While Warcraft will always be special to me, there's no longer that narcotic urgency to get a hit. I have far too much going on in my life – my career, my friends who've forgiven my fibs and flakiness, volunteering, taking in all the arts and culture available in New York City – to be able to be enthralled in the embrace of Warcraft. But I know I have to be careful. While I won't take Odysseus' approach, it's so easy to slip back, especially in these cold winter days – when she lures like a siren.
Rene Magritte
(1898 - 1967)
The Son of Man (Le fils de l'homme)
(1928-1929)
You know this guy. You've seen him in The Thomas Crown Affair. Now you know Mr. Magritte painted him. And now you can show off how smart you are.
Rene Magritte
(1898 - 1967)
The Treachery of Images (La Trahison des Images)
(1928 - 1929)
Rene Magritte, a Belgian artist, is widely considered the father of surrealism. In The Treachery of Images, he challenges the viewer to explore the notion of perception. By painting a photorealistic pipe and then stating that "this is not a pipe," Magritte presents the viewer with a paradox. Is in fact, not a pipe. It is a painting of a pipe. That smart-alec!
Recent Comments